Emilio Audissino is a film historian. He is currently finishing up a post-doctoral research project at the University of Southampton, UK, concerning the application of neoformalism and gestalt psychology to the analysis of music in ...
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Language: en
Pages: 272
Pages: 272
The purpose of this book, through its very creation, is to strengthen the dialogue between practitioner and theorist. To that end, a film academic and musicologist have collaborated as editors on this book, which is in turn comprised of interviews with composers alongside complementary chapters that focus on a particular
Language: en
Pages: 80
Pages: 80
Contemporary Film Scores For Solo Piano celebrates some of the 21st century's greatest soundtracks with 25 pieces from films released between 2005-2016. Many of the most popular composers of our time, including Thomas Newman, Carter Burwell, Jóhann Jóhannsson, Alexandre Desplat and Rachel Portman are included, with works covering modern cinematic
Language: en
Pages: 212
Pages: 212
Music in Contemporary Indian Film: Memory, Voice, Identity provides a rich and detailed look into the unique dimensions of music in Indian film. Music is at the center of Indian cinema, and India’s film music industry has a far-reaching impact on popular, folk, and classical music across the subcontinent and
Language: en
Pages: 135
Pages: 135
Music in Film: Soundtracks and Synergy discusses a broad range of films - from classical Hollywood through to American independents and European art films - and offers a brief history of the development of music in film from the silent era to the present day. In particular, this book explores
Language: en
Pages: 1096
Pages: 1096
Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927–2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of