—Virgil Thomson (1966) Virgil was always a model for me, and his music criticism was the greatest pleasure in New York. It was so unexpected to find anything like that in a newspaper. This book was originally intended to be the initial ...
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Language: en
Pages: 290
Pages: 290
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Language: en
Pages: 336
Pages: 336
Gertrude Stein & Virgil Thomson are known as much for their formidable egos as for their contributions to 20th century arts. This collection of roughly 400 letters from between 1926-1946 reveals the spark that existed between the two American masters over the course of their sometimes rocky & always fascinating
Language: en
Pages: 1100
Pages: 1100
An unprecedented collection of polemical and autobiographical writings by America’s greatest composer-critic. Following on the critically acclaimed 2014 edition of Virgil Thomson's collected newspaper music criticism, The Library of America and Pulitzer Prize–winning music critic Tim Page now present Thomson’s other literary and critical works, a body of writing that
Language: en
Pages: 1200
Pages: 1200
Revisit the Golden Age of classical music in America through the witty and adventurous reviews of our greatest critic-composer: For fourteen memorable years Virgil Thomson surveyed the worlds of opera and classical music as the chief music critic for the New York Herald Tribune. An accomplished composer who knew music
Language: en
Pages: 1522
Pages: 1522
Books about Catalog of Copyright Entries. Third Series